发布时间:2020-11-26 文章来源: 至领留学 点击:1720次
哥伦比亚大学MFA MFA in Creative Producing是所有学习电影专业的学生的梦想就读的学校和专业。下面就和大家来分享下面试准备的阶段。
Course of Study: MFA in Creative Producing
The first-year courses include workshops in producing, directing, screenwriting, and directing the actor. Studio classes are comprised of a maximum of 12 students and the emphasis is on hands-on, process-oriented creative work.
The first semester culminates in a 3–5-minute film which each student writes and directs.
The culminating project of the first year is an 8–12-minute film. Each student directs a film from their own screenplay or one written by another student in their class. Additionally, every student must act as producer on a film other than the one he or she directs. Several courses in the first-year curriculum help to generate and prepare these scripts for filming in the summer of the first year.
A critique of all the finished films begins the second year of study. In the second-year curriculum, students immerse themselves in courses whose primary focus is the producing of feature films, with the concurrent study of television and new media. They may also take courses in screenwriting and television writing, sample courses open to cross-registration at the Columbia Business School ,courses in other programs of the School of the Arts and throughout the University as electives. Every student must take at least one course in film history/theory/criticism (HTC) prior to graduation.
The required 60 credits of coursework must be completed in the first two years. In the third or thesis year, students must work on the production of at least three films, one of which is their thesis. Each student is required to be the sole producer of his or her thesis film. Students are also required to complete an internship working for a production or distribution company.
Students in the thesis period are no longer taking courses for credit, but they meet regularly with their advisors for intense developmental work on their thesis ideas, take thesis preparation classes, and may take elective master classes with guest filmmakers. Topics regularly offered in master classes include contract law for producers, advanced post-production for producers, feature budgeting, and scheduling. Shorter master classes are offered by a range of internationally recognized filmmakers.
Students leave the School with a portfolio of produced films, and in many cases a feature film project they have developed that is ready to be produced. Our graduates are highly employable, and enjoy a reputation as the most versatile and cutting edge of the current crop of young producers, cementing our reputation as one of the most comprehensive producing programs of any film school in the world.
Do you know we have two MFA’s in our school Why do you chose the creative producing one
How do you plan your there years study with CU 课程设置参考内容,3年课程大学有很清晰的步骤,你结合这些步骤,谈下自己的想法
The first-year courses include workshops{工作坊} in producing, directing, screenwriting, and directing the actor. Studio classes are comprised of a maximum of 12 students and the emphasis is on hands-on, process-oriented creative work.
The first semester culminates in a 3–5-minute film which each student writes and directs.
The culminating project of the first year is an 8–12-minute film. Each student directs a film from their own screenplay or one written by another student in their class. Additionally, every student must act as producer on a film other than the one he or she directs. Several courses in the first-year curriculum help to generate and prepare these scripts for filming in the summer of the first year.
A critique of all the finished films begins the second year of study. In the second-year curriculum, students immerse themselves in courses whose primary focus is the producing of feature films, with the concurrent study of television and new media. They may also take courses in screenwriting and television writing, sample courses open to cross-registration at the Columbia Business School ,courses in other programs of the School of the Arts and throughout the University as electives. Every student must take at least one course in film history/theory/criticism (HTC) prior to graduation.
What attracts you to apply MFA in CU 看下下面的课程特色,可以跨系在商学院及艺术学院选修课程,除了纯的电影制作外,提供更多资源及可能性;第三年的时候必须有实习,这个也非常吸引我
They may also take courses in screenwriting and television writing, sample courses open to cross-registration at the Columbia Business School ,courses in other programs of the School of the Arts and throughout the University as electives. Every student must take at least one course in film history/theory/criticism (HTC) prior to graduation.
Students are also required to complete an internship working for a production or distribution company.
Do you also apply other university and programs
Tell me what you learnt from your undergraduate program
Do you have extra information which would like to share for your portfolio
How do you judge China’s current film industry
What’s your career goal Give me specific position if you have.
What you intend to do out of the university
What can you offer to CU if you’d been admitted
What do you like to do besides study
Other things you wish to share with us which not stated on your resume.
How can I benefit from the summer program Are there any graduate student who has been admitted to the program attending the summer program
2、How many graduate student you admitted each year, in total
3、Among all admitted students, how many of them come from mainland China What other countries that the students come from
一些需要注意的事情:1. The whole point of an interview is basically for you learn more about the school and for the school to make sure you are not socially inept. Just be yourself, act natural, and you'll do fine. It has little bearing on your admission decision.
Try not to say that your favorite thing to do in your free time is sleep. I would probably say that, as it's true, but come up with something… going to the gym, hanging out with friends, reading romance novels… anything sounds better than sleep!
Could you describe an incident where you disagreed with a superior How was this settled。
编辑:翁晓兰